Alla Petrus Christus s Oljemålningar
Vilja ID Bild  Oljemålningar Från A to Z       Information 
89275 A Donator  A Donator   1450(1450) Medium oil on wood cyf
406 Annunciation1  Annunciation1   1452 Gemaldegalerie, Berlin
30210 Details of St.Eligius  Details of St.Eligius   nn05 Gems as a protection against poison
30211 Details of St.Eligius  Details of St.Eligius   nn05 Self-Portrait in a mirror
30212 Details of St.Eligius  Details of St.Eligius   nn05
30213 Details of St.Eligius  Details of St.Eligius   nn05 Rich and famous customers
55941 Edward Grimston  Edward Grimston   mk247 1446,oil on oak,12.75x9.5 in,32.5x24 cm,national gallery,london,uk
51115 Isabel of Portugal with St Elizabeth  Isabel of Portugal with St Elizabeth   1457-60 Oak panel, 59 x 33 cm
63561 Madonna  Madonna   1445 Wood, 55,5 x 31,5 cm Museum of Fine Arts, Budapest We know very little about the life of Petrus Christus, though it is certain that in 1444 he obtained the citizenship of Bruges, then the richest town in Flanders and its main artistic centre. He may have been the pupil of Jan van Eyck, and in his surviving panel paintings we can see that his solutions to problems of composition and his figure types are similar to those of his predecessor. Indeed Christus's delicately wrought and brilliantly coloured works served to popularise the technique and manner of Van Eyck. Some fifteen to twenty works by Christus are known, one of which is The Virgin and Child, probably the surviving part of a triptych for home devotion. Framed by a semi-circular arch resting on slender columns and with a pleasant landscape in the background, the Virgin looks tenderly down at the naked Infant supported on her arm. Every detail has been painted with meticulous care - the minute wrinkles on the Infant's face, the foliage of the trees in the distance and the statuette of Adam and Eve on the columns at the sides, which, in alluding to the Fall, emphasize the coming Redemption through Christ. Other versions and copies have survived, indicating the popularity of this picture over the years, but unfortunately none of them give any clue as to when it was painted or who commissioned it.Artist:CHRISTUS, Petrus Title: Madonna Painted in 1451-1500 , Flemish - - painting : religious
83097 Madonna and Child  Madonna and Child   Date ca. 1450(1450) Medium Oil on oak Dimensions Height: 19 cm (7.5 in). Width: 14 cm (5.5 in). cjr
87247 Madonna and Child  Madonna and Child   1450(1450) Medium Oil on oak cyf
402 Our Lady of the Barren Tree  Our Lady of the Barren Tree  
89274 Petrus Christus  Petrus Christus   1450s Medium tempera and oil on wood cyf
409 Portrait of a Carthusian  Portrait of a Carthusian   Metropolitan Museum of Art, New York
41322 Portrait of a Carthusian  Portrait of a Carthusian   mk161 Tempera and oil on wood
42624 Portrait of a Karthuizer monk  Portrait of a Karthuizer monk   MK169 1446 Tempered and oil paint on panel 29.2x20.3cm
21255 Portrait of a Lady (mk08)  Portrait of a Lady (mk08)   c.1470 Oil on wood, 28x21cm Berlin,Gemaldegalerie Staatliche Museen zu Berlin-Preubischer Kulturbesitz
40194 Portrait of a Young Girl  Portrait of a Young Girl   mk156 after 1446 Oil on panel 29x22.5cm
42843 Portrait of a young Man  Portrait of a young Man   mk170 1455-1460 oil on oak 35.4x26cm
42845 Portrait of a young man  Portrait of a young man   mk170 1455-1460 Oil on oak 35.4x26cm
405 Portrait of a Young Woman  Portrait of a Young Woman   Gemaldegalerie, Berlin
31315 Portrait of a Young Woman  Portrait of a Young Woman   nn07 after 1446 Panel painting; Gemaldegalerie, Staatliche Museen Preussischer Kulturbesitz at West Berlin
51113 Portrait of Edward Grimston  Portrait of Edward Grimston   1446 Oil on wood, 33,6 x 24,7 cm
89272 Portrait of Edward Grimston  Portrait of Edward Grimston   1446(1446) Medium oil on wood cyf
33437 Portrati of a Lady  Portrati of a Lady   mk86 c.1470 Oil on wood 28x21cm
89285 Potrait of a Carthusian  Potrait of a Carthusian   1446(1446) Medium oil on wood cyf
32105 Sir Edward Grymestone  Sir Edward Grymestone   mk78 1446 Oil on panel 36x27cm
53670 Smart Monday  Smart Monday   mk234 about 1444-1472/3 11.5x8.5cm
91767 St Eligius in His Workshop  St Eligius in His Workshop   1449(1449) Medium oil on panel cyf
408 St.Eligius  St.Eligius   1449 Metropolitan Museum of Art, New York
30209 St.Eligius  St.Eligius   nn05 1449 A Christian artisan advertises his craft
41323 St.Elligus  St.Elligus   mk161 Oil on panel 39x33
417 Still Life with Wine and Smoking Implements  Still Life with Wine and Smoking Implements   1638
407 The Lamentation  The Lamentation   1450's Metropolitan Museum of Art, New York
40202 The Lamentation  The Lamentation   mk156 c.1455 Oil on panel 101x192cm Musee Royaux des Beaux-Arts Brussels
83102 The Lamentation  The Lamentation   Date between 1455(1455) and 1460(1460) Medium Oil on wood Dimensions Height: 98 cm (38.6 in). Width: 188 cm (74 in). cjr
87251 The Lamentation  The Lamentation   between 1455(1455) and 1460(1460) Medium Oil on wood cyf
19998 The Lamentation of Christ (mk05)  The Lamentation of Christ (mk05)   Wood 15 x 12''(38 x 30 cm)Acquired for the Louvre in 1951
404 The Last Judgment  The Last Judgment   1452 Gemaldegalerie, Berlin
410 The Man of Sorrows  The Man of Sorrows   1444-73 Birmingham Museum and Art Gallery
411 The Nativity _2  The Nativity _2   1445-46 The National Gallery of Art, Washington DC
403 The Virgin and the Child  The Virgin and the Child   1457-60 Museo del Prado, Madrid
89273 Wife of a Donator  Wife of a Donator   1450(1450) Medium oil on wood cyf
Petrus Christus
Flemish 1415-1473 Petrus Christus Locations South Netherlandish painter. His known artistic career began in Bruges on 6 July 1444 when, as the Poorterboek (citizens register) for that day reveals, he purchased his citizenship ... in order to be a painter. Town records show that he and his wife became members of the Confraternity of the Dry Tree c. 1462; that in 1463 he and another painter, Pieter Nachtegale, were paid for the construction of a Tree of Jesse (destr.) and for the cost of assistants employed on the day of the religious procession in which it was used; and that on 19 March 1472 he served as a representative of the painters guild in a dispute with another painter, Jehan de Hervy the elder ( fl 1472-1507). These and a few other scattered references comprise the existing documentation for Christusa life and work.



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